Too many books are forgotten as soon as they're published—that doesn't mean they're not worth reading, writing, or talking about. My reading list is generated by interest, whim, and chance—and by what's available at the Brooklyn Public Library.
When writing my reviews, I don’t Google anything about the book or author. To draw my impressions, I rely only on the book itself.
The real mystery of Loving What Is is not its methodology, but its author. Who is Byron Katie? She was (and sometimes still is) a heavy smoker, calls people she doesn’t know “sweetheart” and “honey,” and sometimes writes and talks in a tone marked by exasperation: “Peace is who you already are, without a story. Can you just live it?”
Andrew Holleran’s 1978 novel, Dancer From the Dance, is about gay men in 1970s New York looking for love—and falling for the city itself. The romantic, elegiac tone has much in common with F. Scott Fitzgerald’s The Great Gatsby and Truman Capote’s Breakfast at Tiffany’s. All three of these stories meditate on the power of beauty, mystery, doom, glamour, summer, and romance. All three are narrated by characters that stand outside the main action, and all three feature New York City as a central character. The city as it’s depicted here is more than a place: it’s an idea, often a romantic ideal, and sometimes a trap.
“To choose to live with a dog,” Mark Doty writes at the start of Dog Years: A Memoir, “is to agree to participate in a long process of interpretation—a mutual agreement, though the human being holds most of the cards.” In moving but restrained prose, Doty reveals the cards held closest to his chest: his feelings about loving and losing his canine companions, Arden and Beau.