Too many books are forgotten as soon as they're published—that doesn't mean they're not worth reading, writing, or talking about. My reading list is generated by interest, whim, and chance—and by what's available at the Brooklyn Public Library.
When writing my reviews, I don’t Google anything about the book or author. To draw my impressions, I rely only on the book itself.
Andrew Holleran’s 1978 novel, Dancer From the Dance, is about gay men in 1970s New York looking for love—and falling for the city itself. The romantic, elegiac tone has much in common with F. Scott Fitzgerald’s The Great Gatsby and Truman Capote’s Breakfast at Tiffany’s. All three of these stories meditate on the power of beauty, mystery, doom, glamour, summer, and romance. All three are narrated by characters that stand outside the main action, and all three feature New York City as a central character. The city as it’s depicted here is more than a place: it’s an idea, often a romantic ideal, and sometimes a trap.
Copy editor Mary Norris investigates grammar—its usage and history—and frequently digresses. These tangents are the heart and soul of this quirky book. Many of them relate to her investigation of the English language, some are deeply personal, and others concern her work at the influential weekly magazine, The New Yorker.
By offering an informed, rigorous, sensitive, nuanced, and compassionate evaluation of Bernstein’s creative output, Shawn, a teacher of composition and music history at Bennington College, achieves a remarkable feat: he gives a master class in biography as music appreciation.